{"id":6669,"date":"2026-10-27T14:05:12","date_gmt":"2026-10-27T14:05:12","guid":{"rendered":"https:\/\/accademiaclub.com\/videos\/nina-y-vina-colombina-2\/"},"modified":"2026-10-27T14:05:12","modified_gmt":"2026-10-27T14:05:12","slug":"nina-y-vina-colombina","status":"publish","type":"videos","link":"https:\/\/accademiaclub.com\/en\/videos\/nina-y-vina-colombina\/","title":{"rendered":"Ni\u00f1a y vi\u00f1a"},"content":{"rendered":"<div class=\"accademia-club-gate\" style=\"text-align:center; padding:40px 24px; border:1px solid #C8B481; border-radius:4px; margin:24px 0;\"><p style=\"margin:0 0 20px; font-size:1.05em;\">This content is exclusive to Accademia Club members.<\/p><a class=\"accademia-club-gate__cta\" href=\"https:\/\/accademiaclub.com\/en\/suscripcion\" style=\"display:inline-block; padding:12px 28px; background:#C8B481; color:#000; text-decoration:none; font-weight:600;\">Become a member<\/a><p style=\"margin:16px 0 0; font-size:0.9em;\">Already a member? <a href=\"https:\/\/accademiaclub.com\/wp-login.php?redirect_to=https%3A%2F%2Faccademiaclub.com%2Fen%2Fvideos%2Fnina-y-vina-colombina%2F\">Log in<\/a><\/p><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ni\u00f1a y vi\u00f1a<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Composer: Anonymous<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although written for four voices, <em>Ni\u00f1a y vi\u00f1a<\/em> is another of the typical villancicos of the Spanish Renaissance for which the Cancionero de la Colombina is a key source: the last line of each stanza serves as a refrain, its theme is typically amorous, and its Italian equivalents are the <em>villanelle<\/em> and <em>pastorelle<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lyrics<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns letra-bilingue is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>Ni\u00f1a y vi\u00f1a<br>peral y havar,<br>malo es de guardar.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Levant\u00e9me, o madre,<br>ma\u00f1anita trida,<br>fuy cortar la rosa,<br>la rosa florida.<br>Malo es de guardar.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vi\u00f1adero malo<br>prenda me ped\u00eda,<br>dile yo un cordone<br>de la mi camisa.<br>Malo es de guardar.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vi\u00f1adero malo<br>prenda me demanda;<br>yo dile una cinta<br>de la muy delgada.<br>Malo es de guardar.<\/em><\/p>\n\n\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>A girl and a vineyard,<br>a pear tree and a bean field<br>are hard to guard.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>I rose, oh mother,<br>early one morning,<br>I went to cut the rose,<br>the rose in bloom.<br>They are hard to guard.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The wicked vine-keeper<br>asked me for a token;<br>I gave him a cord<br>from my shift.<br>They are hard to guard.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The wicked vine-keeper<br>demands a token of me;<br>I gave him a ribbon,<br>a very fine one.<br>They are hard to guard.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Credits<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ACCADEMIA DEL PIACERE<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fahmi Alqhai, viola da gamba &amp; direction<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alena Dantcheva, soprano<br>Gabriel D\u00edaz, countertenor<br>Ariel Hern\u00e1ndez, tenor<br>Jes\u00fas Garc\u00eda Ar\u00e9jula, baritone<br>Javier Jim\u00e9nez Cuevas, bass<br>Rami Alqhai, viola da gamba<br>Johanna Rose, viola da gamba<br>Carles Blanch, vihuela<br>Marta Graziolino, harp<br>Francisco Javier N\u00fa\u00f1ez, organ<br>Pedro Estevan, percussion<br>Jacobo D\u00edaz, shawm<br>David Garc\u00eda, sackbut<br>Luis Castillo, dulcian<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recording and editing (video and audio): F\u00e9lix V\u00e1zquez<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ni\u00f1a y vi\u00f1a Composer: Anonymous Although written for four voices, Ni\u00f1a y vi\u00f1a is another of the typical villancicos of the Spanish Renaissance for which the Cancionero de la Colombina is a key source: the last line of each stanza serves as a refrain, its theme is typically amorous, and its Italian equivalents are the [&hellip;]<\/p>\n","protected":false},"featured_media":4068,"template":"","tipo":[98],"estilo":[106,107],"coleccion":[112],"class_list":["post-6669","videos","type-videos","status-publish","has-post-thumbnail","hentry","tipo-piezas-en-directo-en","estilo-polifonia-en","estilo-renacimiento-en","coleccion-colombina-en"],"_links":{"self":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/videos\/6669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/videos"}],"about":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/types\/videos"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media\/4068"}],"wp:attachment":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media?parent=6669"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/tipo?post=6669"},{"taxonomy":"estilo","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/estilo?post=6669"},{"taxonomy":"coleccion","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/coleccion?post=6669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}