{"id":6611,"date":"2026-10-27T14:02:38","date_gmt":"2026-10-27T14:02:38","guid":{"rendered":"https:\/\/accademiaclub.com\/videos\/la-negrina-alegrias-2\/"},"modified":"2026-10-27T14:02:38","modified_gmt":"2026-10-27T14:02:38","slug":"la-negrina-alegrias","status":"publish","type":"videos","link":"https:\/\/accademiaclub.com\/en\/videos\/la-negrina-alegrias\/","title":{"rendered":"Excerpt from ‘La negrina’ and Alegr\u00edas de C\u00f3rdoba"},"content":{"rendered":"

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“Florida estaba la rosa” <\/strong> – Gugurumb\u00e9<\/h4>\n\n\n\n

Composer: Mateo Flecha the Elder (1481-1553) & traditional & Agust\u00edn Diassera<\/strong>

Accademia del Piacere takes to Germany a concert version of \u201cGugurumb\u00e9\u201d, a stage show inspired by the influence of Africa and the Americas on Spanish Baroque music. The first piece is taken from the ensalada \u201cLa negrina\u201d by the Catalan composer Mateo Flecha the Elder, alongside which some alegr\u00edas de C\u00f3rdoba are performed.<\/p>\n\n\n\n

Credits<\/strong><\/p>\n\n\n\n

Fahmi Alqhai, viola da gamba & direction
Quiteria Mu\u00f1oz, soprano
Roc\u00edo M\u00e1rquez, flamenco singer
Dani de Mor\u00f3n, flamenco guitar<\/p>\n\n\n\n

ACCADEMIA DEL PIACERE
Rami Alqhai and Johanna Rose, violas da gamba
Carles Blanch, baroque guitar
Francisco Javier N\u00fa\u00f1ez, harpsichord
Agust\u00edn Diassera, percussion
<\/p>\n\n\n\n

Lyrics<\/strong><\/p>\n\n\n\n

\n
\n

From \u201cLa negrina<\/em>\u201d<\/p>\n\n\n\n

Florida estaba la rosa,
que o vento le volvia la folla.<\/p>\n\n\n\n

Alegr\u00edas<\/em><\/p>\n\n\n\n

Todo aquel que en este mundo
quisiera tener fortuna
ha de cantar con salero
el punto y zunga mandunga.<\/p>\n\n\n\n

Catalina y Jucepillo
con panderos y sonajas
por divertir a su primo
alegres los dos cantaban.
\u00a1Men\u00e9ate mi negrito
mientras la cumb\u00e9 me bailas,
y qu\u00e9 lindo taconeo!
A fe que es baile de Angola
y nos lleva al batuqueo.<\/p>\n\n\n\n

From \u201cLa negrina<\/em>\u201d<\/p>\n\n\n\n

San Sabeya, gugurumb\u00e9,
alangandanga, gugurumb\u00e9,
alangandanga, gurumb\u00e9.<\/p>\n\n\n\n

Mantenga, se\u00f1or Joan Branca,
mantenga vosa merc\u00e9.
\u00bfSabe como \u00e9 ya nacido ay\u00e1 en Berem,
un ni\u00f1o muy garrido?
Sa muy ben, sa muy ben.
Vamo a ver su nacimiento.
Dios, pesebre echado est\u00e1.
Sa contento. Vamo ay\u00e1.
\u00a1Su!, ven\u00ed que ye ver\u00e1.
Bonasa, bonasa, su camisonsico rondaro.
Zagarano, zagarano. Sa hermoso, sa hermoso,
zucar miendro ye ver\u00e1.<\/p>\n\n\n\n

Alangandanga, gugurumb\u00e9,
San Sabeya, gugurumb\u00e9,
alangandanga, gugurumb\u00e9.<\/p>\n\n\n<\/div>\n\n\n\n

\n

From \u201cLa negrina\u201d<\/strong>
The rose was in bloom,
and the wind turned its leaves.<\/em><\/p>\n\n\n\n

Alegr\u00edas<\/strong>
Whoever in this world
would wish to have good fortune
must sing with grace
the punto and the zunga mandunga.<\/em><\/p>\n\n\n\n

Catalina and Jucepillo,
with tambourines and jingles,
to amuse their cousin
both sang merrily.<\/em><\/p>\n\n\n\n

Move, my little black one,
while you dance the cumb\u00e9 for me,
and what lovely heel-work!
In faith, it is a dance from Angola
and it carries us off to the batuque.<\/em><\/p>\n\n\n\n

From \u201cLa negrina\u201d<\/strong>
San Sabeya, gugurumb\u00e9,
alangandanga, gugurumb\u00e9,
alangandanga, gurumb\u00e9.<\/em><\/p>\n\n\n\n

God keep you, Master Joan Branca,
God keep your worship.
Do you know who has been born over there in Bethlehem,
a most handsome child?
I know it well, I know it well.
Let us go and see his birth.
God is lying in a manger.
I am glad. Let us go there.
Come on! Come, and you shall see.
Bonasa, bonasa, su camisonsico rondaro.
Zagarano, zagarano. He is beautiful, he is beautiful,
sugar and almonds, you shall see.<\/em><\/p>\n\n\n\n

Alangandanga, gugurumb\u00e9,
San Sabeya, gugurumb\u00e9,
alangandanga, gugurumb\u00e9.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Accademia del Piacere performs a concert version of the music from Gugurumb\u00e9, a show about the Black presence in 17th-century Spanish music. With Fahmi Alqhai, Dani de Mor\u00f3n, Quiteria Mu\u00f1oz and Roc\u00edo M\u00e1rquez.<\/p>\n","protected":false},"featured_media":4646,"template":"","tipo":[98],"estilo":[101,103,105],"coleccion":[115],"class_list":["post-6611","videos","type-videos","status-publish","has-post-thumbnail","hentry","tipo-piezas-en-directo-en","estilo-barroco-en","estilo-flamenco-en","estilo-obras-de-nueva-creacion-en","coleccion-gugurumbe-version-concierto-en"],"_links":{"self":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/videos\/6611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/videos"}],"about":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/types\/videos"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media\/4646"}],"wp:attachment":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media?parent=6611"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/tipo?post=6611"},{"taxonomy":"estilo","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/estilo?post=6611"},{"taxonomy":"coleccion","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/coleccion?post=6611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}