{"id":6584,"date":"2026-10-27T14:01:27","date_gmt":"2026-10-27T14:01:27","guid":{"rendered":"https:\/\/accademiaclub.com\/videos\/ay-que-me-muero-de-zelos-2\/"},"modified":"2026-10-27T14:01:27","modified_gmt":"2026-10-27T14:01:27","slug":"ay-que-me-muero-de-zelos","status":"publish","type":"videos","link":"https:\/\/accademiaclub.com\/en\/videos\/ay-que-me-muero-de-zelos\/","title":{"rendered":"Ay que me muero de zelos"},"content":{"rendered":"<div class=\"accademia-club-gate\" style=\"text-align:center; padding:40px 24px; border:1px solid #C8B481; border-radius:4px; margin:24px 0;\"><p style=\"margin:0 0 20px; font-size:1.05em;\">This content is exclusive to Accademia Club members.<\/p><a class=\"accademia-club-gate__cta\" href=\"https:\/\/accademiaclub.com\/en\/suscripcion\" style=\"display:inline-block; padding:12px 28px; background:#C8B481; color:#000; text-decoration:none; font-weight:600;\">Become a member<\/a><p style=\"margin:16px 0 0; font-size:0.9em;\">Already a member? <a href=\"https:\/\/accademiaclub.com\/wp-login.php?redirect_to=https%3A%2F%2Faccademiaclub.com%2Fen%2Fvideos%2Fay-que-me-muero-de-zelos%2F\">Log in<\/a><\/p><\/div>\n\n\n\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-d081e47\" id=\"la-sablonara-accademia-del-piacere\" data-block-id=\"d081e47\"><h4 class=\"stk-block-heading__text\">Ay que me muero de zelos &#8211; <strong>La Sablo<\/strong>nara<\/h4><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Mateo Romero \u201cCapit\u00e1n\u201d (1575-1647)&nbsp;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A tono for three voices centred on love and jealousy. Its writing highlights the emotional intensity of the text. It alternates intimate moments with passages of greater expressive tension.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">World premiere of the La Sablonara programme at the Utrecht Early Music Festival, based on the palace songbook of the Royal Chapel at the Madrid court, compiled for the Count of Neuburg during his stay in Madrid at the court of Philip IV around 1625.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ACCADEMIA DEL PIACERE&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>Fahmi Alqhai,<\/strong> viola da gamba &amp; direction&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>Rami Alqhai<\/strong>, viola da gamba&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>Johanna Rose<\/strong> \u2013 viola da gamba&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>Carles Blanch, <\/strong>baroque guitar&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>Francisco Javier N\u00fa\u00f1ez<\/strong> \u2013 harpsichord&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>Agust\u00edn Diassera <\/strong>\u2013 percussion&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>Quiteria Mu\u00f1oz<\/strong> \u2013 soprano<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>Savid Sagastume<\/strong> \u2013 alto&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>Ariel Hern\u00e1ndez<\/strong> \u2013 tenor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Javier Jim\u00e9nez Cuevas<\/strong> \u2013 bass&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">LYRICS <\/h2>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">\u00a1Ay, que me muero de zelos<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">de aquel andaluz!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">H\u00e1ganme, si muriere,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">la mortaja azul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">Copla<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">S\u00f3lo a darme guerra<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">pass\u00f3, madre m\u00eda,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">del Andaluz\u00eda,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">mi morena tierra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">Fue de Ingalaterra<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">su fingida fe;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">pero nunca fue fe<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">que es tan com\u00fan.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">H\u00e1ganme, si muriere,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">la mortaja azul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">Mi amor pag\u00f3 en yelos<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">mi fe con mudan\u00e7as<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">verdes esperanzas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">en azules zelos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">Si buelvo a los cielos<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">a pedir favor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">de su azul color<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">nace mi inquietud.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">H\u00e1ganme, si muriere,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\">la mortaja azul<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ay que me muero de zelos &#8211; La Sablonara Mateo Romero \u201cCapit\u00e1n\u201d (1575-1647)&nbsp; A tono for three voices centred on love and jealousy. Its writing highlights the emotional intensity of the text. It alternates intimate moments with passages of greater expressive tension.&nbsp; World premiere of the La Sablonara programme at the Utrecht Early Music Festival, [&hellip;]<\/p>\n","protected":false},"featured_media":5801,"template":"","tipo":[98],"estilo":[],"coleccion":[114],"class_list":["post-6584","videos","type-videos","status-publish","has-post-thumbnail","hentry","tipo-piezas-en-directo-en","coleccion-el-cancionero-de-la-sablonara-en"],"_links":{"self":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/videos\/6584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/videos"}],"about":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/types\/videos"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media\/5801"}],"wp:attachment":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media?parent=6584"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/tipo?post=6584"},{"taxonomy":"estilo","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/estilo?post=6584"},{"taxonomy":"coleccion","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/coleccion?post=6584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}