{"id":6568,"date":"2026-10-27T14:00:47","date_gmt":"2026-10-27T14:00:47","guid":{"rendered":"https:\/\/accademiaclub.com\/videos\/origen-la-semilla-de-los-tiempos-2\/"},"modified":"2026-10-27T14:00:47","modified_gmt":"2026-10-27T14:00:47","slug":"origen-la-semilla-de-los-tiempos","status":"publish","type":"videos","link":"https:\/\/accademiaclub.com\/en\/videos\/origen-la-semilla-de-los-tiempos\/","title":{"rendered":"Origen. La semilla de los tiempos"},"content":{"rendered":"<div class=\"accademia-club-gate\" style=\"text-align:center; padding:40px 24px; border:1px solid #C8B481; border-radius:4px; margin:24px 0;\"><p style=\"margin:0 0 20px; font-size:1.05em;\">This content is exclusive to Accademia Club members.<\/p><a class=\"accademia-club-gate__cta\" href=\"https:\/\/accademiaclub.com\/en\/suscripcion\" style=\"display:inline-block; padding:12px 28px; background:#C8B481; color:#000; text-decoration:none; font-weight:600;\">Become a member<\/a><p style=\"margin:16px 0 0; font-size:0.9em;\">Already a member? <a href=\"https:\/\/accademiaclub.com\/wp-login.php?redirect_to=https%3A%2F%2Faccademiaclub.com%2Fen%2Fvideos%2Forigen-la-semilla-de-los-tiempos%2F\">Log in<\/a><\/p><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><br><em>Origen. La Semilla de los tiempos. <br>Accademia del Piacere<br><\/em><br><strong>Fahmi Alqhai <\/strong>\u2013 musical direction, viola da gamba &amp; arrangements and adaptations<br><strong>Patricia Guerrero <\/strong>\u2013 stage direction &amp; choreography.<br>Company of the Ballet Flamenco de Andaluc\u00eda<br><br><strong>Quiteria Mu\u00f1oz<\/strong> \u2013 soprano<br><strong>Rami Alqhai<\/strong> \u2013 viola da gamba<br><strong>Dani de Mor\u00f3n <\/strong>\u2013 flamenco guitar<br><strong>Johanna Rose<\/strong> \u2013 viola da gamba<br><strong>Carles Blanch <\/strong>\u2013 baroque guitar<br><strong>Francisco Javier N\u00fa\u00f1ez<\/strong> \u2013 harpsichord<br><strong>Agust\u00edn Diassera<\/strong> \u2013 percussion<br><strong>David Garc\u00eda<\/strong> \u2013 sackbut<br><strong>Jacobo D\u00edaz<\/strong> \u2013 shawm<br><strong>Luis Castillo <\/strong>\u2013 dulcian<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>Programme<\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Francisco Javier N\u00fa\u00f1ez (b. 1973)<\/strong><br>Improvisation on Versa est in luctum. <\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Jos\u00e9 de Nebra (1702-1768)<\/strong><br>Tempestad grande, amigo.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Henry de Bailly (1590-1637)<\/strong><br>Yo soy la locura.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Fahmi Alqhai (b. 1976) on anonymous pieces<\/strong><br>X\u00e1caras y buler\u00edas.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Eduardo Torres (1872-1934)<\/strong><br>Salve, Madre. <\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Gregorian chant<\/strong><br>Ave Maris Stella. <\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"> <strong>Attr. Juan P\u00e9rez de Bocanegra (c. 1560-1645)<\/strong><br>Hanacpachap cussicuinin.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Heinrich Ignaz Franz von Biber (1644-1704)<\/strong><br>Passacaglia.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Traditional<\/strong><br>Seguiriyas de Triana: Reniego yo de mi sino. <\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Santiago de Murcia (1673-1739)<\/strong><br>Fandango.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Amparo Lagares (b. 1987)<\/strong><br>El sal\u00f3n de la luz. <\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong> Fran\u00e7ois Couperin (1668-1733)<\/strong><br>Allemande fugu\u00e9e (2\u00e8me Concert Royal).<br>Chaconne l\u00e9g\u00e8re (3\u00e8me Concert Royal). <br>Gigue (1er Concert Royal).<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong> Fahmi Alqhai (b. 1976)<\/strong><br>Fol\u00edas de Espa\u00f1a.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong> Juan V\u00e1squez (c. 1500-c. 1560)<\/strong><br>Con qu\u00e9 la lavar\u00e9.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Fahmi Alqhai (b. 1976)<\/strong><br>Marionas.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Gaspar Sanz (1640-1710)<\/strong><br>Canarios. <\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Alonso Lobo (1555-1617)<\/strong><br>Versa est in luctum. <\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em><strong>All pieces reworked, arranged and orchestrated by Fahmi Alqhai<\/strong><\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Summary<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The concert took place at the <strong>Teatro de la Maestranza<\/strong> in Seville, a leading cultural venue opened in 1991. Renowned for its excellent acoustics, the theatre hosts opera, concerts and stage productions of the highest level, and is home to the Real Orquesta Sinf\u00f3nica de Sevilla, making it a benchmark for music and the arts in southern Spain.<br><br>If one trait unites Fahmi Alqhai and Patricia Guerrero, it is their determination to carry Andalusia\u2019s musical and dance traditions into the future. In Origen, they take that task to its ultimate conclusion. They set out to uncover the seeds bequeathed to us by the Spanish Golden Age, sown within flamenco through genres such as j\u00e1caras, passacaglias, marionas and zarabandas, whose rhythms and baroque guitar rasgueados bear unmistakable traces of their historical legacy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The creative partnership between Guerrero and Alqhai goes back to the innovative show Para\u00edso Perdido. In their new show, Origen &#8211; la semilla de los tiempos, the Teatro de la Maestranza de Sevilla, the formidable Ballet Flamenco de Andaluc\u00eda and the versatile, large line-up of Accademia del Piacere join forces in a co-production: a true constellation of stars of historical music and the most avant-garde flamenco.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Origen draws on our history and travels through it from past to present and back again. This rhapsody in seven acts projects into the 21st century the force of the genesis of these dances. The stage power of the Ballet Flamenco de Andaluc\u00eda and the historical yet avant-garde sounds of Accademia del Piacere will be guided by the creative sensibility of these two great artists of our time.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Programme notes<\/h4>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">Origen. La semilla de los tiempos is described as a rhapsody in seven acts that seeks to project into the 21st century the primal force behind the origins of Andalusian dance and tradition. The show brings together two key figures in contemporary culture: Fahmi Alqhai, an internationally renowned figure in historical music and the experimental avant-garde, and Patricia Guerrero, winner of the 2021 National Dance Award (Premio Nacional de Danza) and director of the Ballet Flamenco de Andaluc\u00eda. <\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">he artistic concept delves into the Spanish Golden Age to uncover the seeds that genres such as j\u00e1caras, passacaglias, marionas and zarabandas sowed in flamenco. These musical forms bear historical witness to rhythmic patterns and baroque guitar rasgueados that have endured to this day. The show not only draws on history but moves through it, travelling from past to present in an ongoing dialogue between dance and early music.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Origen. La Semilla de los tiempos. Accademia del PiacereFahmi Alqhai \u2013 musical direction, viola da gamba &amp; arrangements and adaptationsPatricia Guerrero \u2013 stage direction &amp; choreography.Company of the Ballet Flamenco de Andaluc\u00eda Quiteria Mu\u00f1oz \u2013 sopranoRami Alqhai \u2013 viola da gambaDani de Mor\u00f3n \u2013 flamenco guitarJohanna Rose \u2013 viola da gambaCarles Blanch \u2013 baroque guitarFrancisco [&hellip;]<\/p>\n","protected":false},"featured_media":6163,"template":"","tipo":[95],"estilo":[],"coleccion":[119],"class_list":["post-6568","videos","type-videos","status-publish","has-post-thumbnail","hentry","tipo-conciertos-en-directo-en","coleccion-origen-la-semilla-de-los-tiempos-en"],"_links":{"self":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/videos\/6568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/videos"}],"about":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/types\/videos"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media\/6163"}],"wp:attachment":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media?parent=6568"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/tipo?post=6568"},{"taxonomy":"estilo","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/estilo?post=6568"},{"taxonomy":"coleccion","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/coleccion?post=6568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}