{"id":6694,"date":"2026-10-27T14:06:25","date_gmt":"2026-10-27T14:06:25","guid":{"rendered":"https:\/\/accademiaclub.com\/album\/dialogos-2\/"},"modified":"2026-10-27T14:06:25","modified_gmt":"2026-10-27T14:06:25","slug":"dialogos","status":"publish","type":"album","link":"https:\/\/accademiaclub.com\/en\/album\/dialogos\/","title":{"rendered":"Di\u00e1logos"},"content":{"rendered":"

This content is exclusive to Accademia Club members.<\/p>Become a member<\/a>

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Di\u00e1logos<\/strong>
De viejos y nuevos sones<\/p>\n\n\n\n

Roots music such as flamenco is a constant growth of new branches from the trunk of tradition, an ongoing interaction between the new and the old. Fahmi Alqhai and Roc\u00edo M\u00e1rquez, each from their own place on that eternal trunk, intertwine their musical leaves in search of the points where the cantes still sung today meet their origins \u2013 some handed down to us by oral tradition, others read in old manuscripts. There are flamenco cantes that travelled from Andalusia to the folklore of the Americas and back to Andalusia, but also chaconas and canarios that crossed the Atlantic to be written down in the first books for Spanish guitar, back in the 17th century; ostinato songs by the great Monteverdi alongside ancestral seguiriyas, with their chord progression \u2013 always identical to itself \u2013 which came from that same Italy of the Seicento<\/em>; cantes from Alosno alongside cants del ocells<\/em>\u2026<\/p>\n\n\n\n

Juan Ram\u00f3n Lara<\/p>\n\n\n\n

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DI\u00c1LOGOS
De viejos y nuevos sones<\/p>\n\n\n\n

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Fahmi Alqhai, viola da gamba
Roc\u00edo M\u00e1rquez, flamenco singer
Rami Alqhai, viola da gamba
Agust\u00edn Diassera, percussion<\/p>\n\n\n\n

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Mi son que trajo la mar Cantes de ida y vuelta<\/em>
01. Mariona 2:30
02. Colombiana 2:37
03. Siempre contigo 1:11
04. Zamba 4:04<\/p>\n\n\n\n

05. Preludio 1:49
06. Bambera 3:45 On a poem by Santa Teresa<\/p>\n\n\n\n

07. La ma\u00f1ana de San Juan 3:25 Cante from Alosno<\/p>\n\n\n\n

08. Aires de peteneras 7:33
09. A la una yo nac\u00ed 3:46<\/p>\n\n\n\n

10. Si dolce \u00e8\u2019l tormento 4:51 Claudio Monteverdi (1567-1643)<\/p>\n\n\n\n

11. Nana on \u201cEl cant dels ocells\u201d 8:48 Lyrics by Manuel Garc\u00eda<\/p>\n\n\n\n

12. Angelitos negros 5:39<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n

Track notes <\/h2><\/div>\n\n\n\n
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Di\u00e1logos. De viejos y nuevos sones.
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Ton\u00e1 (traditional) 1.29<\/p>\n\n\n\n

La Spagna (anon. 15th c.) 3.11<\/p>\n\n\n\n

Romance del Rey Moro & Grana\u00edna (Luis de Narv\u00e1ez, fl. 1526-1549 & traditional) 4.17<\/p>\n\n\n\n

Las morillas de Ja\u00e9n (anon. c. 1500 from Cancionero de Palacio) 3.47<\/p>\n\n\n\n

Jaleos (traditional) 3.54<\/p>\n\n\n\n

Vidalita (traditional) 7.01<\/p>\n\n\n\n

Fol\u00edas (various authors, c. 1700) 5.35<\/p>\n\n\n\n

Siguiriya (traditional) 5.22<\/p>\n\n\n\n

No hay que decirle el primor (X\u00e1cara & Buler\u00eda) (anon. 17th c. & traditional) 5.30<\/p>\n\n\n\n

Guaracha & Guajira (Juan Garc\u00eda de Z\u00e9spedes, c. 1619-1678 & traditional) 5.58<\/p>\n<\/div><\/div><\/div>\n<\/details>\n\n\n\n

Mi son que trajo la mar Cantes de ida y vuelta<\/em>
01. Mariona 2:30
02. Colombiana 2:37
03. Siempre contigo 1:11
04. Zamba 4:04<\/p>\n\n\n\n

05. Preludio 1:49
06. Bambera 3:45 On a poem by Santa Teresa<\/p>\n\n\n\n

07. La ma\u00f1ana de San Juan 3:25 Cante from Alosno<\/p>\n\n\n\n

08. Aires de peteneras 7:33
09. A la una yo nac\u00ed 3:46<\/p>\n\n\n\n

10. Si dolce \u00e8\u2019l tormento 4:51 Claudio Monteverdi (1567-1643)<\/p>\n\n\n\n

11. Nana on \u201cEl cant dels ocells\u201d 8:48 Lyrics by Manuel Garc\u00eda<\/p>\n\n\n\n

12. Angelitos negros 5:39<\/p>\n\n\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Winner of the Giraldillo for Innovation at the Bienal de Flamenco de Sevilla (Seville Flamenco Biennial), \u201cDi\u00e1logos\u201d is a collaboration with flamenco singer Roc\u00edo M\u00e1rquez, one of the most original voices in contemporary flamenco.<\/p>\n","protected":false},"featured_media":4559,"parent":0,"template":"","estilo":[],"class_list":["post-6694","album","type-album","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/album\/6694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/album"}],"about":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/types\/album"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media\/4559"}],"wp:attachment":[{"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/media?parent=6694"}],"wp:term":[{"taxonomy":"estilo","embeddable":true,"href":"https:\/\/accademiaclub.com\/en\/wp-json\/wp\/v2\/estilo?post=6694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}